Kemampuan Bercerita dan Olah Rasa: Proses Kreatif
By Anggraini Adel
15 March 2022
Kali ini, Faozan Rizal berbagi cerita tentang proses kreatifnya dalam meramu konsep visual selama ini.
The ASC was established to formalise the role of and distinguish
cinematographers from camera operators, but it had more to do with
practicalities and problem solving. In the silent film era, movie
cameras were generally heavy hand-cranked machines, and the
centre of gravity of the US film industry was shifting from the east
coast to the west. The technology and the medium were new, so
camera operators everywhere faced common difficulties, such as
annoying white streaks on footage, caused by static electricity. The
east-coast based Cinema Camera Club, formed by a team of
Edison’s camera operators, and the Static Club of America, based in
Los Angeles and led by Universal’s Harry H Harris, collaborated on
solutions to these issues, pooling their wisdom. Soon enough,
Edison cinematographer Phil Rosen suggested a national
organisation to his Hollywood colleague Charles Rosher.
“It’s not just about making pretty pictures,” says Mandy Walker,
whose CV includes Hidden Figures, Australia and the forthcoming
Mulan.
Rachel Morrison, the first woman Oscar-nominated for cinematography, on the set of Mudbound. Photograph: Steve Dietl/AP
‘I loved working on The Love Witch because I was able to recreate a lot of the lighting from the 50s and 60s,’ says cinematographer David Mullen. Photograph: Allstar/ Oscilloscope
Watch the trailer for Leave No Trace, shot by Michael McDonough
